Faustine Badrichani’s exploration of the female form extends beyond her body prints into her sea foam series, where the boundary between body and nature blurs in a profound and poetic way. Rooted in the artist’s early connection with nature—fostered by her childhood in Provence, surrounded by her geologist parents’ collections of fossils and cicada sloughs—this series delves into the elemental relationship between the body and water, both of which are subject to time’s ­ inexorable passing. Drawing inspiration from the fact that the human body is composed primarily of water, ­ Badrichani uses this series as a meditation on the body’s fluidity and the transformative nature of water. The Mediterranean Sea, a deeply personal and geographic touchstone from her youth, becomes the backdrop for her exploration. Through the ­ process of photographing the foam patterns along its shores, she captures moments of ­ impermanence and transformation, linking the sea’s constant movement to the ephemeral experiences of the human form.

Her process involves using sea salt water and ink to recreate these foam patterns in an organic, free-flowing style. The ink and salt water merge on the paper, creating shapes and textures that are at once spontaneous and deliberate. These visual forms evoke the cyclical process of creation and erosion, symbolizing how life experiences—from birth to aging, from joy to suffering—leave indelible marks on the body. Just as her Empreintes capture the traces left by time on the skin, this series offers a parallel reflection on how water, an essential element of life, shapes the human form.

This interplay between body and water connects with her previous work, where the human form is seen as a landscape of experience, constantly shaped by time. In her sea foam series, the Mediterranean Sea becomes a mirror for the body’s own fluidity and fragility. Like the sea foam that forms and dissolves within moments, the human body, too, is in a state of perpetual transformation.

Through this series, Badrichani emphasizes the universality of these changes, allowing viewers to contemplate their own connection to nature and the transient nature of existence.

Ultimately, Badrichani’s work invites reflection on the interconnectedness between body and earth, between the ephemeral and the eternal, where the rhythms of nature—be it the foam of the sea or the contours of the body—become a shared ­ narrative of life’s fleeting yet beautiful ­ transformations. This ongoing dialogue between body and nature, time and transformation, shapes the philosophical core of her artistic practice, offering a visual language that ­ resonates with the cycles of life we all experience.